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Re: \time 9/8 (3/4)
From: |
David Kastrup |
Subject: |
Re: \time 9/8 (3/4) |
Date: |
Fri, 29 Jul 2022 13:23:57 +0200 |
User-agent: |
Gnus/5.13 (Gnus v5.13) Emacs/29.0.50 (gnu/linux) |
Carl Sorensen <carl.d.sorensen@gmail.com> writes:
> On Thu, Jul 28, 2022 at 1:52 PM Eef Weenink <h.e.weenink@de-erve.nl> wrote:
>
>> This score starts with \time 9/8, but i also should have 3/4 feeling, so
>> there is written:
>>
>> 9/8 (3/4) (in parenthesis).
>
>
> Just curious, because I know precious little about polymetry.
>
> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
With 9/8 I think of the third movement of BWV1041, Bach violin concerto
in A minor. A slight difference to 3/4 and triplets may be that the
first eighth note feels more flexible regarding stress and meter than
one would expect a triplet to be "among its equals". Also there are
some rhythmic patterns 16 16 16 16 8 in arpeggiated phrases that don't
really have a triplet feeling to them.
> To my novice eye, both mean that it's 9/8 with three primary beats per
> measure. Also to my novice eye, it seems that 9/8 can/t have a 3/4
> alternate time signature; perhaps a (3/4.) , but not a (3/4).
It just suggests the accent structure of 3/4 over 9/8, not a
mathematical equivalence.
> I;m not trying to be argumentative, or say that the original
> composer/engraver is wrong. I'm just interested understanding some of
> the new conventions.
--
David Kastrup
- \time 9/8 (3/4), Eef Weenink, 2022/07/28
- Re: \time 9/8 (3/4), Carl Sorensen, 2022/07/29
- Re: \time 9/8 (3/4), address@hidden, 2022/07/29
- Re: \time 9/8 (3/4),
David Kastrup <=
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4), Wol, 2022/07/29
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Eef Weenink, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Paul Hodges, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29