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From: | Walt North |
Subject: | Re: alternative volta 2 when empty |
Date: | Sun, 29 Sep 2024 20:25:52 -0700 |
User-agent: | Mozilla Thunderbird |
Well.... after I sent this I find one way to do it though not
ideal. Perhaps there is something better.... but this will
suffice though it still means basically splitting one measure out
specially. Not much better then putting one measure under the
volta. Actually as I think about it putting one measure under
volta might be cleaner in the long run then this extra manual
volta coding. I'm open to suggestions.
sample below.
\version "2.24.4"
\layout {
\context {
\ChordNames
\override BarLine.bar-extent = #'(0 . 2)
\consists "Bar_engraver"
}
}
ch = \chordmode {
c1 c
\repeat volta 2 {
d d d d
\alternative {
\volta 1 { e e }
\volta 2 {}
}
}
\set Score.repeatCommands = #'((volta #f) (volta "2.")
end-repeat)
f
\set Score.repeatCommands = #'((volta #f))
f f f
}
\score { \new ChordNames {\ch} }
What would be the correct way to code the following case?
I have a repeated section. The first alternative volta has a couple of measure before going back to the repeat. The second volta should just carry on with the remainder of the piece. I'd like to have an indication of the 2. volta just to show where to carry on forward., The coding I have only shows volta 1. but not the (empty) volta 2. I don't want the entire remainder of the piece to be under volta 2. I rather not split out just the first measure of the remainder of the piece just to put it under volta 2.
Thanks, Walt North
Simple sample below.
\version "2.24.4"
\layout {
\context {
\ChordNames
\override BarLine.bar-extent = #'(0 . 2)
\consists "Bar_engraver"
}
}
ch = \chordmode {
c1 c
\repeat volta 2 {
d d d d
\alternative {
\volta 1 { e e }
\volta 2 {}
}
}
f f f f
}
\score { \new ChordNames {\ch} }
if this were to be unfolded it would be: C C D D D D E E D D D D F F F F F F F ...and so on.
There should be a brief volta 2. indication over the first F.
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