Sorry, I wasn't very clear. I wanted to know why I can't just set Hairpin to #1 and the Slur to #2 for 'outside-staff-priority. And I forgot to search the LM before posting. Yes, I've read (but not m
On Mon, Aug 3, 2009 at 12:36 PM, Jonathan Wilkes <address@hidden> wrote: Hello, I'm having trouble entering the following fragment of music: \version "2.12.2" \relative c'' { \time 3
Just back and I find this Easter present. Thanks Mark. On the dashed slur: I find it in the critical edition (Chicago Univ/Ricordi) of Verdi's Traviata edited by musicologist Fabrizio Della Seta, wit
thickness) which curve along two notes. things? It's funny. There's a handwritten example of a half-dashed/half-solid slur on the *cover* of Kurt Stone's "Music Notation in the Twentieth Century"! Th
Oops. \slurSolid needs to be added to the beginning of the music function in case \slurDashed was called before \slurSolidDashed (as an example). - Mark Attachment: half-and-half-slur.ly Description:
2009/4/7 Nick Payne <address@hidden>: Just a hunch, but I think this might have something to do with 'avoid-slur being cleared automatically for fingerings inside chords (which is normally a good thi
Helge The 'slurs' in the hand-written score look as if they are really triplet indicators, with the '3' omitted from the later ones. If so, I don't think Lily can do this very well automatically. The
Actually, it is. If you go to the Slurs page in the Internals Reference, you will see that there are three different interfaces to slurs: spanner-interface, slur-interface, and grob-interface. grob-i
Ok. NR 1.1.1. I would consider that to be "under" NR 1.1, but I admit that I forgot the final .1. Well, first start off with a simple example: \version "2.11.65" \relative c'' { c4( \once \set sugges
\relative c'' { \override TextScript #'avoid-slur = #'inside c2*1/2( s4^\markup {\natural} d4.) c8 } In fact, it increases the space between the slur and the notes, but doesn't move the markup down.
Hello, I am trying to modify the 'avoid-slur property for various grobs, but Fingering is one of the few grobs that I've had success with. According to the Internals Reference, DynamicText and TextSc
Hi I have a same problem i made a post.. with no luck \version "2.11.49" \relative c' { c4 c c c e e e e f f f f g' f \(e d \break \repeat volta 2 { c4\) c c c e e e e f f f f g g g g } \alternative
Hi Toine, Have you tried setting the TrillSpanner's outside-staff-priority to a small number (meaning close to the staff) and setting the Slur's outside-staff-priority to a larger number (meaning fur
here is an example of slurs across (page) break from Brahms a.jpg and b.jpg are the scanned measures from the score. The important aspect is the slur for the right hand straddling the break. Admitted
Does anyone have a suggestion for making a slur which returns from notes at the end of a repeat back to notes at the beginning of the repeat? The ends should look like a slur which spans a line break
Hi Graham, Thanks for the reply. I've put together what I think is a relatively straightforward, stepby-step presentation of the problem I'm having. Hope it helps. I added the second bar of eights be
In the Regression Tests document, you can find an example called slur-cross-staff.ly which illustrates how well/bad LilyPond handles this for the moment. The desirable layout in these situations is p