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ties, chords, and multiple voices
From: |
Werner LEMBERG |
Subject: |
ties, chords, and multiple voices |
Date: |
Tue, 02 Jan 2007 09:29:12 +0100 (CET) |
How can I pass a slur from one voice to another one?
Look at this example, something which happens quite often in piano or
organ music:
\relative c'' {
<< { <c_~ g'~>1 | <c_~ g'~>1 | <c g'>1 } \\
{ d16 e8. ~ e2. ~ | \stemUp e1 ~ | e1 } >>
}
Starting with the second bar I would like to handle the middle note
together with the other ones -- first, it's much more natural to
input, and second, more importantly, lilypond would then handle ties
correctly, avoiding collisions with other notes of the chords.
With other words, I would like to have something like this (assuming
that the upper voice is called `1', and the lower one `2'):
\relative c'' {
<< { <c_~ g'~>1 } \\
{ d16 e8. ~ e2. ~ } >> |
\tiesFrom #'("1" "2") <c e g>1 ~ |
<c e g>1 |
}
I'm not aware of a solution to the tie problem except manual tweaking
of the slur, which is extremely sensitive to reformatting (just think
of slurs broken across staves).
Werner
- ties, chords, and multiple voices,
Werner LEMBERG <=
- Re: ties, chords, and multiple voices, Mats Bengtsson, 2007/01/02
- Re: ties, chords, and multiple voices, Werner LEMBERG, 2007/01/02
- Re: ties, chords, and multiple voices, Erik Sandberg, 2007/01/02
- Re: ties, chords, and multiple voices, Han-Wen Nienhuys, 2007/01/02
- Re: ties, chords, and multiple voices, Mats Bengtsson, 2007/01/02
- Re: ties, chords, and multiple voices, Werner LEMBERG, 2007/01/02
- Re: ties, chords, and multiple voices, Han-Wen Nienhuys, 2007/01/02
- Re: ties, chords, and multiple voices, Werner LEMBERG, 2007/01/02