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From: | Hans Aberg |
Subject: | Re: elegant compound time signatures |
Date: | Mon, 20 Oct 2008 14:16:56 +0200 |
On 20 Oct 2008, at 13:15, Graham Percival wrote:
I managed to get this working without individual tweaks. It's messy, but once it's all set up, you can write any number of bars and get the 2_2, 3, 4 beaming. If you want the final 4 to be a 2_2 as well, it should be obvious how to make that happen. Just add a \repeat unfold around the second voice; basically, treat it like the "global" voice that many people use for rehearsal marks and the like.
Thank you, I saw it, though I find hard to understand what the second bracelet group does:
{ \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 8) s4 \unset subdivideBeams \unset beatLength s8. s4 } Hans
\version "2.11.62" \new Voice \relative c'' << { \time 11/16 #(override-auto-beam-setting '(end 1 16 11 16) 4 16) #(override-auto-beam-setting '(end 1 16 11 16) 7 16) \set Timing.beatGrouping = #'(4 3 4) c16 b a g g f a g8 f16 e } { \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 8) s4 \unset subdivideBeams \unset beatLength s8. s4 }
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