Re: Best Practices for file structures, score and parts

[Malte Meyn]

Am 02.10.2015 um 09:58 schrieb N. Andrew Walsh:
> do I enter the transposing instruments into the score in concert pitch or
> transposed? Can Frescobaldi (my editor of choice) take an entire Voice and
> transpose it into concert pitch after I've edited, or should I enter the
> content in concert pitch (transposing back into C on the fly as I type)?

I prefer entering everything in concert pitch (transposing back when 
copying music and simply writing what I want to hear when composing) and 
doing the transposition in the \score block. This makes correct quoting 
easier IMO (unisono voices, cue notes). And it allows you to have a 
score in concert pitch whithout transposing back.

Frescobaldi is able to transpose music (tools→pitches→transpose) but I 
remember an issue with note names in german (and perhaps other 
languages) when you have several names (asas and ases) for the same 
pitch (a flat). I’m not sure whether this has been fixed.