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From: | Brett Duncan |
Subject: | Re: Arpeggio next to a chord |
Date: | Mon, 12 Jan 2009 12:11:52 +1100 |
User-agent: | Thunderbird 2.0.0.19 (Macintosh/20081209) |
James E. Bailey wrote:
Great, that worked. This is still a workaround, but given that I don't want to use the major 7 (at least for now) for its original purpose, I can just say to overwrite it with arpeggioGuitar then I get what I wished.
Rather than subverting your major 7th symbol, you could also set up a chord exception that adds the arpeggio when you add the 15th to the chord (which of course you would normally never do):
%%%%%%% arpeggioGuitar = \markup \override #'(baseline-skip . -2 ) { \musicglyph #"space" \center-column { \center-column { \musicglyph #"scripts.arpeggio" \musicglyph #"scripts.arpeggio" \musicglyph #"scripts.arpeggio" } \musicglyph #"scripts.arpeggio.arrow.M1" } } chExceptionMusic = { <c ees g c''>1-\markup {m \super \arpeggioGuitar } } chExceptions = #( append (sequential-music-to-chord-exceptions chExceptionMusic #t) ignatzekExceptions) \score { << \chords { \germanChords \set chordNameExceptions = #chExceptions e2:m b:m e1:m5.15 e2:m e:m b:m b:m e:m e:m } { \clef "G_8" \key g \major \time 4/4\teeny e'4 <g' b'>4 b4 <d' fis' a'>4 | <e' g' b'>4 r4 r4 \normalsize b4 | b8 b4. e'4 e'8 e'8 | a4 a8 d'4. r8 b8 | b8 b8 b8 b8 b8 a8 g8 g8 |
} } %%%%%%% Brett
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