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Re: \time 9/8 (3/4)
From: |
Kieren MacMillan |
Subject: |
Re: \time 9/8 (3/4) |
Date: |
Fri, 29 Jul 2022 09:21:14 -0400 |
Hi Hans,
> Hindemith, "Training…", indicates that 6/8 is always bipartite, so the 3/4 is
> a metric shift in this music piece.
Correct.
> By contrast, 9/8 is tripartite, just as 3/4, so I do not see any obvious
> difference here.
The difference is that each of the three big beats in 9/8 is subdivided into
three eighth notes, while each of the three big beats in 3/4 is subdivided into
two eighth notes… Writing it this way means that you don't have to write the
tuplet notation on alternate bars.
Cheers,
Kieren.
- Re: \time 9/8 (3/4), (continued)
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- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4), Wol, 2022/07/29
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Eef Weenink, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Paul Hodges, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4),
Kieren MacMillan <=
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29