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Re: \time 9/8 (3/4)
From: |
Hans Åberg |
Subject: |
Re: \time 9/8 (3/4) |
Date: |
Fri, 29 Jul 2022 15:35:20 +0200 |
> On 29 Jul 2022, at 15:21, Kieren MacMillan <kieren@kierenmacmillan.info>
> wrote:
>
> Hi Hans,
Hello,
>> Hindemith, "Training…", indicates that 6/8 is always bipartite, so the 3/4
>> is a metric shift in this music piece.
>
> Correct.
>
>> By contrast, 9/8 is tripartite, just as 3/4, so I do not see any obvious
>> difference here.
>
> The difference is that each of the three big beats in 9/8 is subdivided into
> three eighth notes, while each of the three big beats in 3/4 is subdivided
> into two eighth notes… Writing it this way means that you don't have to write
> the tuplet notation on alternate bars.
Yes, notational convenience, but the OP described it as wanting to have 3/4
"feeling", which raised some questions over what this might mean.
- Re: \time 9/8 (3/4), (continued)
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4), Wol, 2022/07/29
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Eef Weenink, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Paul Hodges, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4),
Hans Åberg <=