Re: Music glyph design choices

[tisimst]

On 8/9/2015 10:38 PM, Werner LEMBERG [via Lilypond] wrote:
> The same as with the double-flat: we need evidence from real-world
> scores to decide this.
>
> Do you have time to check this?

A quick scan through IMSLP:

1. (Breikopf & Hartel, 1880) Chopin, Polonaise in B-flat minor: 
Identical flats
2. (Peters, 1895) Grieg, Piano Concerto in A-minor (for piano 4 hands): 
Identical flats
3. (Universal, 1920) Bartok, Studies for Piano, Op. 18: Identical flats

This is in way definitive, but seems like nice evidence for using 
identical flats. I'd be very interested in seeing a score where they 
were intentionally /not/ identical.

- Abraham




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